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Leo X. Robertson

News of my latest publications, events, and episodes of the Losing the Plot podcast!

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advice

New Losing the Plot, with Willie Davis!

Willie Davis is a highly accomplished author, with work in The Guardian, Salon and The Kenyon Review among others. He’s the winner of The Willesden Herald Short Story Prize and The Katherine Anne Porter Prize. He teaches English at Kentucky State University.

We talk about his novel “Nightwolf” (out with 7.13 Books), Kentucky, killing your darlings and Zadie Smith.

Willie’s links:
Website
Twitter
Goodreads

As always, if you’re a reader, writer, creative type, someone with something to say, you can always get in touch with me using losingtheplotpodcast [at] gmail [dot] com. I look forward to hearing from you!

Marshall, who provided Losing the Plot’s intro music, has a new album out! Check out “MARS HALL” at Captain Crook Records!

New Losing the Plot, with Scott Hadley!

Scott Manley Hadley is an author, blogger, book reviewer—and Losing the Plot alumnus! We talk about poetry, happiness and Pierce Brosnan.

His debut poetry collection, “Bad Boy Poet”, is available for preorder now.

We talk about his blog post on turning 30, which you can find here.

His blog here.
YouTube channel here.
Find his book reviews on Open Pen here.

Check out his first Losing the Plot episode here.

As always, if you’re a reader, writer, creative type, someone with something to say, you can always get in touch with me using losingtheplotpodcast [at] gmail [dot] com. I look forward to hearing from you!

Marshall, who provided Losing the Plot’s intro music, has a new album out! Check out “MARS HALL” at Captain Crook Records!

New interview on Kendall Reviews!

Hello again!

Here’s the interview I mentioned in my post yesterday about all the flurry of my latest news 🙂

Love the formatting with the images and gifs! 🙂

Many thanks to Kendall Reviews for the opportunity–hope you enjoy reading!

Cheers 😀

All of the news!

As is so common in the writing world, nothing happens for a long time and then loads happens at once.

Here’s what I’ve been up to of late:

  • I was on the Horror with Marchese & Buller podcast
  • I woke up at 04:30 this morning to appear on the Deadman’s Tome podcast. Which explains why we talked about moon Jedis, Scandinavian hallucinogenic mushrooms and washing feet, among other things!
  • (On both these podcasts, we discuss my upcoming release, Jesus of Scumburg [Hindered Souls Press, Dec 25th 2018])
  • Steve Pool interviewed me on my own podcast, Losing the Plot! It was his much-appreciated suggestion, and we had an interesting chat thanks to his efforts and well-considered questions.
  • Kendall Reviews will feature an interview with me some time this week (no sign yet, but I’ll post about it when there is. Do check out the site in the meantime!)
  • Unnerving and Deadman’s Tome had sales recently, which I’ve tweeted about etc. before, though I think they’ve ended now. Still, as good a time as any to check out the content from these great publishers!
  • The Anti-Austerity anthology, which I had a piece in with many other talented writers, reached #4 on Amazon for fiction anthologies. And Penguin-published author Kit de Waal bought a copy too.

I’m somewhat keen to reassure the writers reading this that news comes and goes in waves, and that I’ve been quietly writing and submitting and chatting to folk for months nay years to make this kinda stuff transpire. But the main point of the post is, 1) Check out all this great stuff and support these cool people, and 2) This is far from the last you’ll hear of me 😀

New Losing the Plot—with ME!!

I’m a Scottish process engineer and writer, currently living in Norway. Guest interviewer Steve Pool (episode 31) talks to me about politics, writing motivations and parents reading to you before bed (when you’re little.)

My links:

WordPress

Twitter

Facebook

Goodreads

Anti-austerity anthology

Every Hour Was Witching Hour” on Every Day Fiction:

Steve’s “Losing the Plot” episode

As always, if you’re a reader, writer, creative type, someone with something to say, you can always get in touch with me using losingtheplotpodcast [at] gmail [dot] com. I look forward to hearing from you!

Marshall, who provided Losing the Plot’s intro music, has a new album out! Check out “MARS HALL” at Captain Crook Records!

New Losing the Plot, with Danger Slater and Madeleine Swann!

Losing the Plot returns with a two-for-one extravaganza chat! LTP alumni, Madeleine Swann and Danger Slater, talk to me about the indie author life, internet obsessions, the housing market in Norway—and how to make your own cult!!

You can hear AND see the second part of this chat over on Madeleine’s YouTube channel

Links to stuff we talk about (across both my episode and Madeleine’s):

Let’s Not Meet (Reddit)

Armando Iannuci Shows

Last Podcast on the Left (NXIVM episode)

ContraPoints (discussing Incels)

Listen to their first LTP episodes here:

Madeleine

Danger

Danger’s Links:

Site

Twitter

Goodreads

“He Digs a Hole” on Amazon

Madeleine’s links:

Site

Twitter

Goodreads

“Fortune Box” on Amazon

As always, if you’re a reader, writer, creative type, someone with something to say, you can always get in touch with me using losingtheplotpodcast [at] gmail [dot] com. I look forward to hearing from you!

Marshall, who provided Losing the Plot’s intro music, has a new album out! Check out “MARS HALL” at Captain Crook Records!

I had a lovely chat on Horror with Marchese & Buller!

Listen here!

Hosts, Misters Marchese and Buller, are two cool and friendly horror authors. We had a great chat about authenticity, rejection, writing goals and way more!

Hope you enjoy!!

Other news:

  • I’m back from holiday and organizing new Losing the Plot guests and such. Pretty sure I remember who I said I was gonna get in touch with, but feel free to take the initiative and set something up with me!
  • New story out with Every Day Fiction on Thursday! I’ll post back here about that.

New Losing the Plot, with author Kenneth W. Cain!

Kenneth W. Cain is the author of the novella “A Season in Hell” and the short story collection “Darker Days.” He also edited the anthology “Tales from the Lake vol. 5.” All three books are forthcoming with Crystal Lake Publishing.

We talk about helping other writers in the community, writing that next great story and the joys of making characters suffer!

Site

Twitter

Goodreads

Amazon

As always, if you’re a reader, writer, creative type, someone with something to say, you can always get in touch with me using losingtheplotpodcast [at] gmail [dot] com. I look forward to hearing from you!

Marshall, who provided Losing the Plot’s intro music, has a new album out! Check out “MARS HALL” at Captain Crook Records!

 

A quality checklist for writers

I’ve read a lot of fiction, written a lot of it too, and I’ve also given/conducted podcast interviews.

As a result of these endeavours, I came up with a checklist to identify areas in which I can improve. I thought you’d find it useful too!

  1. Is this entertaining/interesting? If not, what purpose does it serve? (I don’t know if there is another valid purpose, but I doubt it!)
  2. Am I expressing what I truly believe or is it rather what I want to be read/heard stating that I believe? (Often different.)
  3. And to that end, if I find myself giving impassioned exhortations about global/social issues, how much of a personal stake do I have in these debates? Have I any real-world examples of when this issue affected me, or am I just setting up straw men—in someone else’s battleground?

Here’s an example: look at most of that Count Dankula guy’s videos.

He became embroiled in a free speech argument that’s super important—but as for his content, so much of it is riding trends rather than original opinions. In which case, what does he add to any of these conversations but their regurgitation in a Scottish accent? Is that really how he’s supposed to use his time? Is that the best he can do?

Or look at this video by (conservative vlogger?) Theryn Meyer, where she has realised the consequences, for her soul and that of others, of bandwagon-riding.

The point is: What is bothering YOU, not someone else? What is closest to home?

The idea, of formulating your own opinions and observing your environment (starting locally) with scrutiny, is daunting—but exactly how else would you describe your task?

  1. Am I outright stating something I read elsewhere? In which case I should cite the reference, unless I have added something to it or rephrased it in a way that I would express. If you don’t have your own way of adding to a particular conversation, that’s okay—life is so big, and we’re all learning always—as long as you admit it. In other words: Whereof I cannot speak, thereof am I silent? (Wittgenstein 😉 )
  2. To that end, on occasions when I am implored to offer a comment on a particular issue, do I find myself resorting to the same arguments from a small number of books I read/things I heard too long ago? These are then the most pressing areas of weakness to work on next (if they are also areas of interest.)
  3. Am I capable of writing as if no one is reading/ speaking as if no one is listening? In other words, can I face/present pure ME?!

If this seems odd, or even scary, here’s the caveat: The inherent bias here, if you can call it that, is my interest in you and your work—not in what anyone else wants you/your work to be. Not even what I would want it to be, but what it actually IS.

I unashamedly hope you develop in yourself sensors that pick up when any of these questions are relevant. Ask them and rectify any instance wherever the answer doesn’t satisfy you.

I hope the benefit to your immortal soul is so great that it trumps your desire to satisfy the demands of a large audience or market forces.

Here’s an example of that:

Charlie Kaufman is an unabashed favourite of mine.

(Before I continue, we can use this admission as an example of how to comply to the checklist: “How does this standard white guy choice represent YOU, Leo? Aren’t you violating your own rules?”

To that I would answer: I will risk being seen as cliché because I’m assured of how his work relates to me personally—therefore maybe it doesn’t outwardly appear a non-cliched choice but it meets my own criteria, so I’m satisfied and that’s fine. Plus, he’s part of a healthy artistic diet of others, a mix from a sufficiently large pool, which looks like no one else’s.

That’s all I’m asking you to think about with this checklist. Maybe you won’t end up changing anything about your speech/writing etc. You probably won’t in most instances—even so, an internal quality check will make you/your work/your assertions stronger.)

Anyway, his last film, “Anomalisa”, didn’t make its money back—which doesn’t surprise me too much, unfortunately. By most standards, it’s weird and dark and perhaps too depressing. Even so, what you can say about that film and few others is, “I’ve never experienced that before and now I can’t get it out my head.”

Off the top of my head, here are some other writers who, appear to fulfil these criteria: Sheila Heti, Clarice Lispector, Philip Roth, Vladimir Nabokov. I could go on and on and on! But whatever you might want to say about them, what they all have in common is that I know their names and they were at the forefront of my brain when pressed for the names of originals.

And that’s what I want for you—because that’s what you’re supposed to be.

I’ve said this before: if your goal as a writer, as a human being, is to be the next Stephen King, get in line. Your ticket is #20345. (With ticket #1? Stephen King himself. He’s still the current Stephen King. With ticket #2 is his son, and both of them combined are far more than enough for most.)

If it’s to be the next Stephen King meets—I don’t know, Tom Clancy: congratulations! Your place is now #1023.

If you want to be the first you, your ticket number is #1. Thank God you’re here! We’ve been waiting for you! Right this way. I hope you weren’t too difficult to find…

Write in your own vein. EXIST in your own vein. Strip away anxiety and futility as you push yourself towards uniqueness, towards a place of zero competition.

Good luck!!

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